Tuesday, September 27, 2016

Ain't That A Kick In The Ol' Time Capsule?

Hey!  We still have a blog?!?

Here it is over three years dormant and I JUST stumbled back over this blog.  Perhaps I will add more to it soon, especially since Flint Comix is still going (though it has mutated quite a lot since issue 51!), and, after a brief hiatus at the start of this year, am currently working on issue #82.

Lots to tell you, lots to discuss.  Perhaps someday SOON I shall return here and tell you more.  I just need to figure out how this blog software works again...

Monday, July 15, 2013

Flint Comix Branding: The Anatomy of a Logo

By Randy Zimmerman

From the beginning of our Flint Comix venture we knew our name and logo was vitally important to our success as a publication.
I was originally going to call the publication "Flint City Comix" but once I had teamed up with Theo he pointed out that the word "City" was way too limiting considering the area that we wanted to be distributed in (All of Genesee County - BUT "Genesee County Comix" wasn't going to make it either!). 
I had also worked up a logo for FCC based around a major Flint landmark, The Block (a large block of cement, rumored to be left over from the I-69 construction, at the intersection of Hammerberg  and 12th Street that everyone paints on from time to time (see picture), but quickly decided that it was too plain and needed to go.

So we became "Flint Comix And Entertainment" and began to work a logo off of that.

Flint Michigan is known for MANY things, just look it up.  Some of those things are not very favorable, and as a friendly positive paper we did not (and still don't) want to encourage those elements in out logo.  What I settled on were three iconic landmarks that have unique recognition in the area.

I arched the word "FLINT" to symbolize the arches that are lined down Saginaw St (our "Main" street).  These arches date back to the early 1900's and were taken down for a trolley line that, after a few decades, was removed (primarily backed by GM to encourage folks to buy their own transportation).  Our downtown "organizers" decided that they needed to be restored to mark the uniqueness of the city, so after a number of fundraisers and gripes, they went back up.  Personally, I thought the whole thing was silly, but after they were up I've gotten to really like those little arches and how they make our downtown area a little more unified as well as unique.
 
Inside the word "COMIX" I replaced the "I" for two squares and a circle to symbolize our Citizen's Bank Weather-ball that now sits on top of the First Merit Bank building downtown.  First Merit recently acquired out local Citizen's Bank franchise and have plans to change the weather-ball over to their company's "F M" (which coincidentally are Flint Michigan's initials), but it is one of the most iconic landmarks in the area.
Behind the words "Flint Comix" I added what is probably THE iconic symbol of the area, and that is an arrowhead.  Formed on the banks of the Flint River, the area was originally a main dwelling area for our local Native Americans and was named (obviously) for the primary stone they used for their arrowheads.  They use an arrowhead on the Flint City seal, as well as in the recognized logos for bother the police and fire departments.  Using an arrowhead graphic to unify the logo was an obvious choice.
Though the logo has had slight type variations over the last four+ years, we've kept the same logo since the creation of our prototype and it has served us really well as a brand for our endeavor(s).

Next from me (FINALLY, I promise!): THE FIGHT FOR #1.











Wednesday, July 10, 2013

Flint Comix #51: STATUS REPORT

 By Randy Zimmerman

As of this posting Flint Comix #51 (July 2013) is now out on the stands.  Despite the Fourth of July Holiday (On a Thursday, which literally shot the back half of the week for many folks, but not our printers), we had copies distributed as early as Saturday.  The majority of them were distributed on Monday (the 8th).  It all came out well and we are moving onward.

It was an odd month in that a lot of things we had planned did not unfold as planed. It was one of those issues where there were a lot of hats in he air.  One or two we shot down ourselves: one article that closely mimicked another local publication's article, and after the last few weeks of behind the scenes "glitches" (We call them "koalas" for reasons we'll explain later.) we aired on the side of omission.  A couple we postponed to next month, and a few ...well...let's just say it's better left not talking about and leave it at that.

I have blown what I thought was a strained muscle in my knee (that I delivered my share of FC #51 on) to a full blow out, making it impossible to walk.  I don't get sick much and I make a lousy patient, so I'm typing this post in an attempt to be doing SOMETHING for the paper.

As I mentioned in the editorial, sometimes you just have ROUGH months, where it seems the whole world is fighting your efforts, and I'm hoping our current "rough patch" ends as soon as my knee heals (It IS feeling better and I am able to hobble short distances - going to the doctor's tomorrow.).

Returns on #50 have been normal, despite the one thousand issue overprinting.  No one decided to give our press release(s) any coverage, so the paper still remains a "local" event.  To say that I'm frustrated over this lack of attention is an understatement.  To say that I was surprised by it would be a lie.

I'm starting to believe that the only way folks will take us seriously will be when we start another comics paper in another location (which IS something we've tried to do these last 3-4 years, but have always run into "koalas" that I promise to get into in later posts), but for now we'll keep on punching away here quietly, or at least somewhat quietly.

Next month (Issue #52) is our annual "Back To the Bricks Cruise" issue, (I'll cover that in a little bit when I work our history up to issue #4).  I am currently working on painting the cover which, now that I think about it, I should be taking shots for it to show you its progress here.  More postings SOON.  I ALMOST have the history of our first issue post-able, so that will probably be next.

Thanks for being here.

Randy Z.

Monday, June 24, 2013

Issue 50 Cover Art Auctioned!

The original pencil art by the one and only George Perez used on the cover of Flint Comix 50 is being auctioned off on Ebay with the funds going towards the expenses to get Layne and Peri Toth to their upcoming Martial Art competition(s).  Details and auction are here:

http://www.ebay.com/itm/GEORGE-PEREZ-LAYNE-TOTH-Flint-Comix-50-ORIGINAL-comic-book-COVER-ART-/281125298507#ht_868wt_1035

Sunday, June 9, 2013

ISSUE 50 PÉREZ INTERVIEW VIDEO NOW ONLINE!

Our interview with Comics' icon GEORGE PÉREZ that we feature in the centerfold of our Fiftirth issue (Available now and all through the month of June 2013) now has the complete video online via YouTube!

In the interview (Conducted by Layne and Joe Toth) George firther explains what his favorite drawings of all time are, PLUS a BONUS question that we didn't include in issue 50 asked by Peri Toth (Layne's younger sister) about what the WORST project he ever did was.  What was it? You'll have to watch it to see.

Here's the link, it's not quite thirteen minutes long, and a LOT of FUN to watch! 

https://www.youtube.com/watch?v=-0nSMpJWbs4

Enjoy!

Tuesday, June 4, 2013

George Pérez Cover for Flint Comix 50

Flint Comix celebrates it's 50th issue this month with a special issue including 3 comic stories along with an interveiw and special cover with comic artist icon George Pérez.

Inside the comic market the name George Pérez is known worldwide for his incredible body of sequential artwork that includes The New Teen Titans, Crisis On Infinite Earths, Infinity Gauntlet, World's Finest, among scores of others.  Now, recently released from an exclusive contract from DC Comics where he wrote the Superman comic title and drew World's Finest, Mr. Pérez contributed the pencil work for the cover illustration for Flint Comix 50.

"When we thought about who would be a spectacular guest artist to commemorate our 50th issue George Pérez was at the top of our wish list" Editor Randy Zimmerman stated, "It was a combination of good connections and great timing that we were able to get him on our cover."  Randy attributes his good fortune to the friendship that Flint Comix contributors Layne and Peri Toth had with their "Uncle George", who was willing to contribute the cover on the stipulation that he be listed a "Uncle George Pérez" in the credits for the cover.

Sxteen year old Layne Toth provides the inking for the illustration and Mr. Paul Sizer rounds out the creative team by lending his coloring talent to the piece.  Layne is a longtime contributor to Flint Comix with her character Lucky The One-Eyed Stray Dog, and Paul Sizer is a graphic and sequential artist living in nearby Kalamazoo and has had a number of graphic novels, most notably the Moped Nation and Little White Mouse series, and is a commercial artist with a list of clients that span the world.

"It's literally the frosting on the cake to celebrate fifty full issues of publishing" Editor-In-Cheif Randy Zimmerman said, "Couldn't ask for better and we owe a heartfelt thank you to Mr. Pérez, Joe.Layne and Peri Toth, and Paul Sizer for the collaboration in getting this done."

In addition to the cover artwork Uncle George also sat down with his neices Layne and Peri Toth for a video interview that will be available online shortly.  In the interview Mr. Pérez discusses his favorite drawings that he has done in the comic industry over the years, his worst drawing he has ever done, and a little bit on why he contributed his time for the cover for Flint Comix's fiftieth issue; 

"Well, I am doing that for my sense of family.  Are you kidding?  My nieces [Layne & Peri Toth] are working on this book so I’m definitely going to want to do this.  Perfect timing!  Ordinarily, I would have to worry about the fact that I was under exclusive contract but you caught me at a time when my contract expired -- I’m free.  What perfect timing!  So, I look forward to it.  And the fact that I’m just penciling it with Layne inking, then it becomes a real family affair…  Another thing, the fact of being asked to do an anniversary issue.  That’s very flattering.  And in this day and age, for any independent book to reach 50 is something to commemorate.”

The pencil artwork by George Pérez, as well as the inked artwork by Pérez and Layne Toth are scheduled to be auctioned off at the end of the month on Ebay.  The money raised will help Layne & Peri Toth to compete in kickboxing for their Go-Ti School of Combative Arts and Team U.S.A. coached by Grand Master Harris Edwards Jr. at the No Limits International Goodwill Games in Aruba this December. As per Uncle George's wish to help out his neices any way he can.

We will post further information here on our blog as to the auctions, as well as link up to the video interview as soon as it becomes available.

Monday, June 3, 2013

BLOG

By Theo Valley

Well hello. My partner Randy tells me we have readers from all over the world now. My contribution to the blog will be humorous, cutting, witty, direct and probably a bit opinionated at times.

So here we are moving into our fifth year of producing our publication and bringing “funny papers” to people as some may call it. I’ve got a mixed feeling about being called a funny paper. I wonder if it’s the same thing that a call girl goes through when she’s referred to as a hooker. She’s sort of the same thing but, the call girl has more class and is worth more.

That is the extent of which I will compare what we do to selling our bodies. The joy of Flint Comix & Entertainment is that it is unmistakably a great product. In A recent article I wrote for the 50th edition of the publication I mentioned the importance of comic strips and comic books. The importance dates back to ancient cave drawings to making and breaking political careers. This is also, culturally worldwide. Ancient Rome, Greece, the Orient, Western Europe and Great Britain have all been affected by the illustrator.

Comics (and this word shall be used widely to represent all forms of illustrations; panels and strips) have become media and movies phenomena’s. Into the vernacular of every country characters like Superman, Spiderman, Batman, Ironman, Hulk, Captain America, and yes other such characters like Judge Dredd, Popeye, Flash Gordon, Henry,…oh, I could go on. If this was just something you could dismiss as “funny papers” it wouldn’t be so widely adopted into the culture of so many societies.

Now to celebrate our 50th issue we have the world renowned illustrator George Pérez doing the cover.  Oh, yes…I did say, world renown. Mr. Pérez has drawn recognized covers like the death of Supergirl on the cover of “Crisis on Infinite Earths” and the number one issue of “The New Teen Titans”.

I believe our little publication, that is done on a local level and surpassing records of some publications on a national level, has been either overlooked, missed or perhaps; dare I say it; IGNORED?  We haven’t been the squeaky wheel, we haven’t been screaming from the mountain top nor have we been stomping our feet to get attention. We have quietly been doing our work on a professional level, producing a quality product without making a sound.Little fanfare was made when we passed the year mark. No noise makers were handed out after our second anniversary, nor did our third or fourth year herald a parade. But, in the publishing arena, making it to issue 50 is a tremendous occurrence. We bow our heads in gratitude to the great George Perez for recognizing our accomplishment. We are humbled and honored that such an accomplished talent would take the time out of his busy schedule and lend his great talent to our cover.

Yes, now I can say, “loose the pigeons and let the word go throughout the land” Flint Comix & Entertainment has reached issue 50 and the cover was done by one of the most acclaimed artists in the industry.  If we have been ignored in the past, perhaps now it will be very difficult to turn a blind eye to two guys in a small town in the Midwest. Will Ted and Randy, a couple of guys in Flint, Michigan, that came up with a crazy idea to produce a publication; when most newspapers were either closing or diminishing their print issues, be as easily ignored anymore? Stay tuned to the continuing adventure of two intrepid individuals that have risen from obscurity, that simply want to work hard, create a quality product that everyone enjoys and have fun along the way.

We’ll see you in the funny papers.